If you're an art kid and you go to Japan, you should definitely check out their art supply/stationery stores. They are seriously super amazing, with the neatest little pens and pencils and markers you ever saw-
OH MAN my cat just hopped onto the desk between me and my brother (who is using his laptop) and curled up right in between us. She's so ridiculously cute, and while she's always been a massive attention whore, she's been really affectionate ever since we got back from our trip. I think she was lonely, and she seems to be kind of jittery that we might leave her behind again. I'm pretty sure she was the only reason we actually came back to this country. I love my kitty. 
Where was I. Oh yes. Art supplies. In Okinawa I got:
-1 set of Pentel crayons. Japanese crayons are really nice - the colors are so bold and vibrant and they glide on so easily that they seem more like oil pastels than crayons.
-1 tiny watercolor/colored pencil sketchbook. Now it'll be easier for me to make itty-bitty thank-you cards for all the graduation money I got from all family friends. I'm a total cheapskate, so I usually make my own thank-you cards instead of buying them like a normal person.
-1 ludicrously tiny (around 3 inches long) and cute pink pen decorated with cherry blossoms
-1 bright orange mechanical pencil with an amazing eraser
-1 thin eraser with a blue plastic cover
-1 fairly large baby-seal-shaped eraser in this tiny plastic case that's so heinously adorable I want to leave it there to look at and never ever use it
-And a 24-pencil set of colored pencils which were a very expensive (over 6000 yen, namely around 60 bucks) gift from my lovely aunt.
I tried out both the crayons and the colored pencils today. The latter were particularly interesting since they forced me to tweak my coloring style to use them. At first I used them the same way I use my Prismacolors, with EXTREME EPIC FORCE. But I quickly discovered that this method didn't work at all with this brand (Uni, which might sound familiar since they also make pens which are sold here in the U.S.). I can't really just add massive pressure onto the paper to create value, which is what I usually do and is what makes my coloring look so painfully dense when I use Prismacolors. So instead I have to think more about what colors I'm using, and where, and the result is that I use my colors up less quickly (which is good given how expensive these things were), my hand gets less sore, and it's a nice refreshing change from my usual style.
But I'll probably still slam colors on like a madman when I use my Prismacolors, which I'll still use most of the time since on the last day of art, my teacher gave me an entire plastic carton of them that the room ran out of space for since they buy new sets every year. It's just too tempting, and I have this obsessive aversion to white spaces when I use Prismacolors. I don't know why that is (sounds a bit like horror vacui when I say it like that, even though it isn't).
Anyway, on a more fun note. I didn't take photos of anything I ate in Japan - for a great deal of the time I didn't have a camera - but here are a couple of sketches I did yesterday for my Livejournal of Things I Got To Eat:
"Milk Crepe":
[link]"Banana Pie":
[link]I'm not sure if the crepe was actually a crepe, and I'm pretty sure the pie was not really a pie in the technical sense of the word, but they were both incredibly delicious so whatever.
EDIT: Holy crap. I just found out that Tasha Tudor, who did really lovely illustrations for
The Little Princess, died only around 10 days ago. She was probably my favorite children's illustrator, so...wow.